“The production uses Andrea Imsland’s striking set design for some memorable revelatory moments and tells the story in a fluid manner”

“To enter the D. Terry Williams Theatre for this performance, I walked down a long, narrow, dimly lighted passage, lined with toys and dolls from long ago. Somewhere a music box was playing a plaintive counterpoint to my surroundings: “Happy Days Are Here Again.”… When I arrived in the darkened playing area for this immersive, in-the-round production I heard indistinguishable whispers and eerie humming sounds that seemed to disturb the air around me. Four heavy cornices, suggesting a 19th Century mansion, were suspended overhead. A large, rectangular, white canvas box loomed inexplicably above the stage.”